Nominated for the prestigious Hindu Literary Prize 2013, Vanity Bagh is taking Anees Salim up that ladder, which his writing highly deserves. This review of Vanity Bagh was included in the October 2013 issue of the Hindu Literary Review.
“Inside every big Indian city, there is a tiny Pakistan”.
‘Vanity Bagh’, is the story of Little Pakistan, a mohalla, that one can place anywhere on the map of India. As also Mehendi, a Hindu majority neighbourhood which offers foil and balance to Vanity Bagh.
The title, Vanity Bagh, has exquisite connotations. It opens the ‘vanity bag’ of such lives that the urban ‘us’ never thinks about; it speaks of the ‘mango’ people we hear about but never know, it explores the vanities of some big, small people in a dimension of literary exploration. Continue reading “Vanities of a Bagh: Review of Vanity Bagh by Anees Salim”
Emma Dawson Varughese’s Reading in India is a one-of-its-kind book on Indian English Writing. She is an independent scholar, who works around language, culture and literature, and looks into ‘World Englishes’. Her first project was ‘Beyond the Post-Colonial’, an interdisciplinary study challenging the orthodoxy of post-colonial literary theory. Her interest in Indian writing in English is a long-standing one. In her new book Reading New India (2013) which is a cultural studies enquiry into post-millennial Indian Writing in English, she largely approaches the topic with an emphasis on the sort of writing that’s being sold and read, irrespective of the reputation among the literary elite. This work brings together Indian Englishes, the changing socio-culture dynamics and the role of literature in English post-2000. Continue reading “Reading New India : Interview with Emma Dawson Varughese”